NoMBe
For NoMBe, music exists in a constant state of evolution. He naturally untethers his sound from standard genres and allows it to transmogrify at the speed of his life. One personal season may translate to tape best through electric guitar awash in distortion, while the next pins itself to analog synths and disco beats. He essentially responds and reacts to the ebb and flow of his day-to-day journey by writing songs.
Now, he progresses once again on his NOAH EP (2024) and Full-Length album Diáspora, due out in June 13th of 2025 on Position Music.
“Every time I do a project, I get to reinvent what the music is,” he notes. “It could be dance, R&B, alternative, soul, indie, or blues, and that’s how NoMBe started in the beginning. I took the pressure off from having to abide by any perception of what the sound should be. I’m just unapologetically doing whatever I want.”
Raised in Germany and based in Los Angeles, he has consistently stretched and sculpted a singular style. He formally introduced himself on his full-length They Might’ve Even Loved Me [2018] followed by Chromatopia [2021]. Standouts like “Wait,” “Summer’s Gone,” and “Freak Like Me” upped his total streams to nearly 1 billion and counting. He also notably found early evangelists in the likes of Elton John and Pharrell Williams. Simultaneously, his music surged through popular culture, appearing on Shameless, Ozark, The Mighty Ducks: Game Changers, Marvel’s Cloak & Dagger, The Resident, Ballers, and in Kylie Jenner’s Life of Kylie.
He emerged as the rare enigma who could hold his own on the road alongside either Bonobo or alt-j in addition to performing at major festivals a la Lollapalooza, Firefly Music Festival, SXSW, Outside Lands, Bottlerock, Electric Forest, Okeechobee, and Lightning in a Bottle Festival. Meanwhile, he incited the applause of NPR, OnesToWatch, Billboard, Afropunk, WWD, Complex, and Flaunt Magazine. ThisSongIsSick christened him “one of those talented artists who has a knack for creating catchy, feel-good music that relates to just about anyone,” and Atwood Magazine raved, “CHROMATOPIA is a musical and conceptual triumph that brings us up-close and personal as Noah McBeth.”
For NoMBe, music exists in a constant state of evolution. He naturally untethers his sound from standard genres and allows it to transmogrify at the speed of his life. One personal season may translate to tape best through electric guitar awash in distortion, while the next pins itself to analog synths and disco beats. He essentially responds and reacts to the ebb and flow of his day-to-day journey by writing songs.
Now, he progresses once again on his NOAH EP (2024) and Full-Length album Diáspora, due out in June 13th of 2025 on Position Music.
“Every time I do a project, I get to reinvent what the music is,” he notes. “It could be dance, R&B, alternative, soul, indie, or blues, and that’s how NoMBe started in the beginning. I took the pressure off from having to abide by any perception of what the sound should be. I’m just unapologetically doing whatever I want.”
Raised in Germany and based in Los Angeles, he has consistently stretched and sculpted a singular style. He formally introduced himself on his full-length They Might’ve Even Loved Me [2018] followed by Chromatopia [2021]. Standouts like “Wait,” “Summer’s Gone,” and “Freak Like Me” upped his total streams to nearly 1 billion and counting. He also notably found early evangelists in the likes of Elton John and Pharrell Williams. Simultaneously, his music surged through popular culture, appearing on Shameless, Ozark, The Mighty Ducks: Game Changers, Marvel’s Cloak & Dagger, The Resident, Ballers, and in Kylie Jenner’s Life of Kylie.
He emerged as the rare enigma who could hold his own on the road alongside either Bonobo or alt-j in addition to performing at major festivals a la Lollapalooza, Firefly Music Festival, SXSW, Outside Lands, Bottlerock, Electric Forest, Okeechobee, and Lightning in a Bottle Festival. Meanwhile, he incited the applause of NPR, OnesToWatch, Billboard, Afropunk, WWD, Complex, and Flaunt Magazine. ThisSongIsSick christened him “one of those talented artists who has a knack for creating catchy, feel-good music that relates to just about anyone,” and Atwood Magazine raved, “CHROMATOPIA is a musical and conceptual triumph that brings us up-close and personal as Noah McBeth.”